At nineteen, Savannah Dean escaped her family, leaving behind a note and the people who caused her so much pain. Now, she lives on her own and keeps to herself. At nineteen, Kent Lawson’s girlfriend betrayed him, leaving him behind with a broken heart and a whole lot of mistrust in women. Now, he lives on his own and shares himself with nearly every pretty thing that walks by but only for one night. When Savannah and Kent meet, they can’t stand each other. Kent knows she’s hiding something, and he despises liars. And Savannah has nothing but secrets. Genere: Contemporary Romance Data di pubblicazione: 23 Aprile 2018 |
LIE TO ME NATASHA PRESTON In arrivo il 23 aprile il nuovo romanzo di Natasha Preston, i cui romanzi Il giardiniere e Silence sono già stati pubblicati in Italia rispettivamente da Edizioni Piemme e da Newton Compton Editori! Adoro la cover e la trama di questo nuovo libro e spero che venga tradotto *_* |
Wednesday rolls around way too fast. I have a whole evening with Savannah. It’s been really nice these past four days that she’s been out of my life. Yet, the whole time, I’ve been craving the way we snip at each other.
I need help. I cut my engine outside her building and look up. Apparently, she lives up on the first floor and faces out toward the road. Is she looking at me right now? Why I feel the need to get out and buzz her apartment, I don’t know, but somehow, I find myself getting out of the car and walking toward the building. I stop at the front door, realising that Heidi told me what floor Savannah is on but not the number. Or she might have told me, and I just didn’t listen. This is a great start. I’m about to call my sister when I see Savannah through the glass, walking down the stairs to ground level. Fuck me. Has she always looked like that? She’s wearing a pair of dark blue skinny jeans and a grey off-the-shoulder shirt, but she looks sexier than any other woman I’ve ever seen in a little dress. Why don’t I like her again? Her steely eyes, looking even more prominent with the colour of her top, warily eye me. Our last encounter wasn’t exactly pleasant. She opens the door and smiles. “Hi, Kent.” My back stiffens. “Savannah.” “Are you sure you don’t mind taking me tonight? I can Uber.” And there it is. This is why she fucking bothers me so much. I feel like telling her to call a fucking Uber then. She always sounds so unsure of herself, like every tiny thing a person does for her is some massive inconvenience. Why? “It’s fine,” I spit. She folds her arms, carefully because her fractured arm hasn’t healed. It does take away a little of the dramatic flair she was going for. “Do you need to take a nap before we go?” “What?” “You’re cranky.” “You’re too polite.” “Being polite is a bad thing?” I flex my jaw. “Yes.” “Fine. Get in the car, and take me.” The intent behind her words is clear; however, I hear it completely different and laugh. She rolls her eyes. “Don’t be a knobhead, Kent. Take me to your parents’ house, I mean.” “Knobhead. I’ve not heard that one in a while.” Savannah takes another long breath. “I really don’t know why I thought accepting a lift from you would be a good idea. In fact, I didn’t. I still think it’s a bad idea.” “You always follow through with bad ideas?” “Tonight, I am.” Fuck yeah. I love this fighting side of her. It’s like, when I rile her up enough, the cover slips, revealing the real Savannah. I’m not sure if she’s hiding something the way Freya was. “You should work on that. I don’t do anything I don’t want to.” She tilts her head to the side, fire and determination in her eyes. “Oh, you wanted me to come tonight? And you wanted to be the one to pick me up?” “You’re hot when you’re angry, Savannah.” Actually, she’s hot all the time. It’s just, right now, she’s the whole package. “You always use bullshit like that to deflect from someone calling you out?” “You’re the first woman to call me out.” “Why doesn’t that surprise me?” she mutters. “Do you want to argue on your doorstep all night or get to my parents’ for dinner? I’m cool with either, just checking to see which way you’re leaning.” She drops her arms, one still bound tightly in a splint. “I’m hungry.” “Excellent, let’s go then.” |
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